Inspired by David Wojnarowicz’s text, this story of the same name follows the quiet struggle for acceptance between Afghan-Canadian Hamed and his father.

 An intricately constructed, lyrical and heartbreaking film about two young men wrestling with their sexuality in the repressive English society of the 1920s. Told in elegant flashback, an institutionalised novelist recounts the story of his love affair with a friend, convinced their shared sexuality could be ‘cured’. Visually striking, beautifully acted and defined by a haunting mix of romanticism and unflinching horror, this bold film bravely examines a shamefully neglected period in queer history.

 当一对年轻情侣发现他们的爱情受到极限考验，关于不忠的传言愈演愈烈时，他们爱情与事业之间的微妙平衡开始瓦解，迫使他们质疑彼此是否真的天造地设。

 Lesbian prop-master Casey (Cam Killion) is abandoned by her girlfriend after a fight at a run-down motel, at the height of COVID-19 lockdowns in California. What’s worse, her girlfriend has taken not only her car, but her dog as well. She teams up with unemployed actor Alan (Joohun Lee) on a road trip to an audition in Canada. Casey is bitterly cynical while Alan is blindingly optimistic, which makes for a hilarious odd-couple road movie. Featuring beautifully shot landscapes, Laramie Dennis’s laidback debut feature film draws on, and queers, the work of Sam Shepard, and will delight fans of offbeat indie comedies à la the ‘90s works of Hal Hartley and Alison Anders.

 In 2013, an Australian man a few months shy of turning 60 decided to walk the Camino de Santiago – an 800km pilgrimage trail across the top of Spain. He had no known religion, and absolutely no idea why he felt so deeply compelled to do this torturous walk. But compelled, he was. He completed the walk, battling a “triumvirate of pain” - a knee that he later discovered lacked any meaningful cartilage, a blister the sight of which would make a grown man weep, and shin-soreness that felt like his lower limb had been split with a mountain axe wielded by a demented troll. Arriving at the end of the Camino, the majestic cathedral in Santiago de Compostela, he expected an epiphany – an answer to the question he’d been asking himself every day: Why am I doing this? But no answer came. So when he got home he wrote a book, hoping the answer would reveal itself in his scribblings. The result was The Way, My Way, a humourous and self-deprecating book that many consider the best memoir ever written on walking the Camino. The book has now been made into a film, and it’s an extraordinary account of a man at a pivotal point in his life, searching for meaning and finding himself undergoing a fundamental transformation so profound that he now divides his life into “Before the Camino” and “After the Camino.” It’s a story particular to one man, yet of appeal to anyone seeking a greater meaning from life.

 The film is inspired by the true-to-life story of the discovery of the long-lost “Opus 28” manuscript from Norwegian composer Johan Halvorsen, originally performed in 1909 by Canadian violinist Kathleen Parlow, to whom the piece was dedicated. Campbell portrays a student who seeks to complete her thesis on Parlow by organizing a public performance of “Opus 28” from Toronto to Oslo. The cast includes Dueñas, Melanie Scheiner, Eve Duranceau, Maxim Gaudette, Rosa-Johan Uddoh, and Eileen Davies.

 身负债务的理查德·法伊尔早已放下杀手身份，只想做个普通人。但狂热分子“牧师”找上门来，提出一笔交易：帮他除掉国际犯罪圈的竞争对手，就能勾销所有债务。法伊尔被迫重返黑暗世界，潜入西班牙海岸线，伪装成毒枭亚历杭德罗执行任务。他一边躲避犯罪集团的追杀，一边与过去的暴力记忆对抗，每一步都在生存与良知的边缘游走。

 A stirring and powerful film about a young mother, recently released from prison and desperate to maintain custody of her two young children. Just when things appear to be at their darkest and most desperate for Molly (Posy Sterling), a chance encounter with an old school friend might be the start of a road towards a brighter future. Writer/Director Daisy-May Hudson brings wit, warmth and humanity to this beautiful story of individuals on the margins of society bonding in the face of unimaginable hardship.

 一群新闻系学生为了搞到“独家猛料”，跑到德国偏远森林里探险，意外挖出了二战时期纳粹遗留的冷冻实验舱，唤醒了一个被封存近百年的超人类士兵。接下来的78分钟，就是一场全程无尿点的“反人类狩猎”，这个刀枪不入、力大无穷的杀人机器，在诅咒森林里把学生们当成猎物，展开了一场漫长又绝望的屠杀。

 一种致命的“瘙痒症”病毒席卷城市，感染者会陷入疯狂抓挠直至自毁。丧偶父亲杰伊带着女儿躲进百货商店避难，却发现这里并非安全区。幸存者们因恐慌互相猜忌，物资短缺加剧矛盾，而商店内似乎还潜藏着未知威胁。杰伊必须在外部病毒与内部混乱的双重夹击下，保护女儿、对抗感染者，同时直面幸存者间的背叛与人性黑暗，在绝望中寻找生机。

 一位饱经风霜、躁狂抑郁的摄影师和一位年轻的巴黎自由主义者，在从洛杉矶到旧金山的一次喧嚣的公路旅行中上演了一夜情雪球。随着他们沿着加利福尼亚海岸的旅行，他们离目的地越来越近，这也使他们彼此之间的距离越来越近。只有一个问题——我们的广场恐惧症患者担心这会毁掉一切——他没有告诉她他们的公路旅行的目的：从他疏远的前妻手中接管他的女儿。

 Follows Callie, whose best friend is a potted plant named Mabel.

 一位年轻女子为了走出创伤，踏上了阿尔卑斯山一条偏僻的徒步路线。在这片原始的自然风光中，她不仅要面对自己的恐惧，还要应对来自外星的威胁。

 普通的邻里，突发的事件，三桩惨祸

 少女Rachel接触到社交网络爆火的“墙中人召唤”挑战：只需在暗室中邀请 “住在墙里的人” 现身，就能唤醒墙中蛰伏的存在。她和好友尝试后，不仅释放出人形与畸形怪物，更引发连环失踪与猎杀。三个参与挑战的青少年，必须在怪物彻底失控前将其送回墙壁，而父母的完全不信任，让他们只能独自面对这场绝境危机。

 靠制作定制情色影片维生的夫妻Jasper与Harriet，经济陷入绝境时，接到神秘客户“观众”的天价订单：要求用指定复古摄像机拍摄诡异仪式，且绝对不得观看拍摄内容。随着订单要求愈发极端，两人在金钱诱惑下不断妥协，逐渐出现记忆断层，现实与虚幻的边界彻底崩塌，最终被拖入一场精心策划的黑暗阴谋，陷入万劫不复的噩梦。

　　艾娃（黛西·雷德利 饰）是一名绝望的妇女，她的丈夫在一次灾难性军事实验后失踪，她加入了一个“尸体搜寻小组”，但当她埋葬的尸体开始出现生命迹象时，她的搜寻工作发生了令人毛骨悚然的转变。