前哨

　　剧情：母子乱伦 （不是继母 是亲母子）
　　相依为命的孤儿寡母，渐渐长大的儿子和其他女人相处时，母子间的矛盾、情欲开始决堤！

　　A group of teenage girlfriends deal with life after high school.

　　出生于韩国的弗雷迪，自少便被领养家庭带到法国生活。25岁那年原本要去东京旅行，却因遇上台风而转游首尔，继而开展了一段寻根之旅。在法国成长的她，与亲生父母有着全然不同的文化，使这趟突如其来的旅程引发出更深层的身份思考，也将她的人生引领至始料未及的方向。

　　为了谈生意，鲁滨逊（皮埃尔·理查德 Pierre Richard 饰）登上了前往非洲的圣卢西娅号邮轮，哪知道旅行途中遭到了船长和大副的陷害，鲁滨逊被扔上了一艘小船，抛弃在茫茫大海之上。身陷险境的鲁滨逊并没有放弃生存的希望，他好不容易来到了一座荒岛之上，哪知道很快，鲁滨逊就在岛上发现了已经遭遇了海难的圣卢西娅号。
　　靠着船上的物资，鲁滨逊顽强的在荒岛上生存了下来。一次偶然中，鲁滨逊解救了一名被当地野人抓住的印第安人，给他取名星期五（尼古拉斯·卡萨雷 Nicolas Cazalé 饰），终于，鲁滨逊有伴了。星期五不识字也不会说话，于是鲁滨逊担任了他的老师的职务。

　　百年之前，一系列的连锁巨变摧毁了多数的地球文明，将世界带入了无尽的黑暗时期。剩余的幸存者试图回到过去改变引起这一切毁灭事件的进程。

　　Defying the moral constraints of Victorian England and her parents, a young woman engages in unbridled promiscuity with two partners before setting out to capture the fuller sensuality of life itself. Based on the 1915 novel by D.H. Lawrence.

　　一位疯狂而变态的母亲，带领着他的两个儿子回到原来的住所，并恐吓甚至屠杀房子里的新主人以及他们的客人

　　一架客机不幸坠毁于某无名小岛，幸存乘客突遇某妄图袭击美国的武装组织，一场血战，一触即发，Troma公司最有野心的一部电影，片中死伤人数超过1000。。。。。

　　故事发生在21世纪初，因为网络聊天的兴起，一个天主教学校的少女发现自己的性意识萌动，一方面要她要努力抑制自己的欲望怕被上帝惩罚，另一方面有些东西是控制不住的。

　　Since 1977, Sam Klemke has been recording himself on film, the ♯selfieavantlalettre. In that same year, NASA launched the Voyager with the Golden Record. Whereas NASA primarily sketches a positive picture of humanity, Klemke&♯39;s honest self portraits zoom in on the individual. A special film about time, memory and what it means to be human.
　　‘This year will be my year, it has to be!’ Since 1977, Sam Klemke - a pioneer status updater - has looked back on ‘his year’ using video. With the illusion of progress, he hopes to encourage ‘personal growth and improvement’.
　　Documentary maker Matthew Bate met Klemke on Facebook and became acquainted with his video 35 Years Back Through Time, a super-cut in which Klemke counts backwards from 2011 to his ambitious teenage self. Intrigued by this obsessive film project, Bate used Klemke&♯39;s personal archive to create a documentary collage that feels like an intimate road trip, with Klemke providing valuable lessons about time. Along the way, he dismantles the dream of success and happiness. Klemke&♯39;s self-mockery and honesty give the whole thing a light, breezy feel.
　　Through this, Bate interweaves NASA’s Golden Record Project which, just like Klemke’s video project, was launched in 1977. This juxtaposition creates a reflection in which Bate sketches the comprehension of time and self-documenting stories as an inherent human need.