千金傲游记

　　The Doll is an adaptation of the novel, The Doll (novel) by Bolesław Prus, which is regarded by many as one of the finest Polish novels ever written and, along with Pharaoh (novel), made Bolesław Prus a potential candidate for the Nobel Prize in literature. The influence of Émile Zola is evident, and some have compared the novel to Madame Bovary by Gustave Flaubert; both were Prus&♯39;s contemporaries. The movie, however, may be more compared to Stendhal&♯39;s Le Rouge et le Noir, (The Red and the Black).
　　The Doll constitutes a panorama of life in Warsaw between 1878 and 1879, and at the same time is a subtle story of three generations of Polish idealists, their psychological complications, their involvement in the history of the nineteenth century, social dramas, moral problems and the experience of tragic existence. At the same time this story describes the disintegration of social relationships and the growing separation of a society whose aristocratic elite spreads the models of vanity and idleness. In the bad air of a backward country, anti-Semitic ideas are born, valuable individuals meet obstacles on their way, and scoundrels are successful.
　　This poetic love story follows a nouveau riche merchant, Stanislaw Wokulski, through a series of trials and tribulations occasioned by his obsessive passion for an aristocratic beauty, Izabela Lecka, played by the famous Polish actress, Beata Tyszkiewicz.
　　Plot:
　　As a descendant of an impoverished Polish noble family, young Wokulski is forced to work as a waiter at Hopfer&♯39;s, a Warsaw restaurant, while dreaming of a life in science. After taking part in the failed 1863 Uprising against Tsarist Russia, he is sentenced to exile in Siberia. On eventual return to Warsaw, he becomes a salesman at Mincel&♯39;s haberdashery. Marrying the late owner&♯39;s widow (who eventually dies), he comes into money and uses it to set up a partnership with a Russian merchant he had met while in exile. The two merchants go to Bulgaria during the Russo-Turkish War of 1877-78, and Wokulski makes a fortune supplying the Russian Army. The enterprising Wokulski now proves a romantic at heart, falling in love with Izabela, daughter of the vacuous, bankrupt aristocrat, Tomasz Łęcki. In his quest to win Izabela, Wokulski begins frequenting theatres and aristocratic salons; and to help her financially distressed father, founds a company and sets the aristocrats up as shareholders in his business.The indolence of these aristocrats, who secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his "help" (in secret) to Izabela&♯39;s impecunious but influential father, the girl becomes aware of his affection. In the end she consents to accept him, but without true devotion or love.(wikipedia)

想生孩子的加奈子（Kanako）迎接排卵日。 她向丈夫求婚，但遭到拒绝。 与丈夫再婚后，加奈子对他的冷漠不满意。 在白天，她在厨房里自慰，继子厚实看到了它。 当厚史停止观看加奈子自慰时，她本能地兴奋了。 他试图找到异性，但陷入了加奈子的大胆行动。 淳史几乎没有平静下来，在房间里睡着了。 但是与他无关的加奈子 他进入厚史的房间，开始触摸他的阴茎。 然后，他兴奋地说他需要精子。 涉足加奈子的厚史征服了她的身体。

　　本作は“絶対にだませない詐欺師”を主人公とするコメディ。超が付くお人よしのサラリーマン・絹咲正（きぬさきただし）は、婚活パーティで出会った浅香澪に頼まれて彼女の父親に会いに行く。しかし、そこにいたのは裏社会にもつながりのある大手ゼネコン社長・貴島だった。貴島から5億円をだまし取ろうとしたものの失敗した澪は、貴島の支配下にあったのだ。リゾート会社社長から10億円を奪ってきたら許すと貴島から告げられた正と澪。嘘がつけず悪いことができない正にとって引き受けられない仕事だったが、彼のあまりの人のよさから、詐欺計画は思わぬ方向に転がっていく。

　　故事紧接着上一集发展，小狗贝多芬和露西终于走到了一起，过上了幸福的生活，露西还为贝多芬生下了四只可爱的小狗，一家人其乐融融。然而，这四只小狗崽却让孩子们陷入了烦恼之中，如果让爸爸知道家里一下子多了这四个小家伙，那还不非得翻了天不可。
　　虽然挨了老爸一顿臭骂，但善良的布鲁诺先生（凯文·杜恩 Kevin Dunn 饰）还是收留了贝多芬和露西的孩子们，一家人前往宁静的小村开始了悠闲的度假。然而他们并不知道的是，布鲁诺的前妻瑞吉娜（黛比·玛扎 Debi Mazar 饰）早已经盯上了小狗崽们，她想将它们偷到手，卖掉大赚一笔。得知此事的贝多芬率先行动，带领妻儿躲到了山中，瑞吉娜紧随其后。

　　罗塞塔（瓦伦蒂娜•斯卡里希 Valentina Scalici 饰）和卢恰诺（朱塞佩•伊拉西塔诺 Giuseppe Ieracitano 饰）是一对相依为命的姐弟，她们的母亲因为逼女儿卖淫而锒铛入狱。此事遭媒体曝光后，两人随后被两个警察送上了去孤儿院的列车。其中一个警察因事先行告退，将姐弟俩托付给警察安东尼奥（恩里克•洛维索 Enrico Lo Verso 饰）独自看护。姐姐背负着雏妓的心理压力，但是弟弟却总是我行我素，两人常常发生争执。安东尼奥总是默默旁观，小心翼翼地呵护着两颗稚嫩的童心。在经历了抢劫、酒店驱逐，学校开除、哮喘疾病等一连串霉运后，安东尼奥似乎跟姐弟俩建立一种亦父亦友的关系，然而一张报纸却让他们的世界陷入崩溃的边缘……
　　本片获第45届戛纳电影节评委会大奖。

The Man Next Door

　　This film takes place in Ljubljana, the capital of Slovenia. Matic lives in a large neighbourhood of concrete blocks of flats with his mother. As his father is temporarily working in Libya, they live alone. Matic&♯39;s otherwise monotonous life changes dramatically when he is chosen to feature in a film. At the shooting he meets Milena, a girl his own age whom he begins to like. When the shooting is over, the film company gives him a present, a huge black Newfoundlander. Although his mother is not really pleased about it, Matic brings the dog home. And that is just the beginning of their adventures... - IMDb

　　著名的希腊神话故事，特洛伊城的巴利斯王子，爱上了美丽非凡的海伦，并不顾一切的将她带回了特洛伊城。谁知海伦本是巴斯达国王的爱妃，愤怒的巴斯达下令向特洛伊城发起进攻，一场残酷的战争拉开了序幕。英勇的希腊士兵如潮水涌向特洛伊城，结果无功而返，慌乱中，遗留下一匹巨大的木马。兴奋的特洛伊城士兵只顾高兴地庆祝着希腊士兵的撤退，对希腊的木马却完全视而不见。夜幕降临了，许多全副武装的希腊士兵悄悄地从大木马的腹中钻出来，向特洛伊城大举进攻……

　　这部电影描述了一位作家哈蒙（John Cassavetes饰）和他的妹妹莎拉（Gena Rowlands饰）生命中的几天。电影中的大部分情节都是在哈蒙的家里发生的，他们在生活中挣扎：哈蒙过着极其颓废的生活，靠酒、烟、以及一段段短期的和女人的关系度日：或者是工作关系认识的女人，或是娱乐场所认识的女人。他也是一个非常不称职的父亲，把自己12岁的儿子扔在酒店的旅馆里里，甚至还教他学喝酒。而他的妹妹莎拉因为她的疯狂的言行正在和自己的丈夫离婚，她的女儿想要和父亲生活在一起，这给她极大的伤害，几乎精神崩溃。在电影的结尾，莎拉离开了哈蒙的家，和另外一个男人在一起，而哈蒙走到银幕前给观众说再见，也和自己的生命告别。

　　新新人类足球队、另类作风酷教练！柴斯特奉老板之命，当由员工女儿组成的少女足球队的教练，为了使原本球技奇差 无比的球队成为明星队，以讨好老板，他不惜利用女友的儿子，把他乔装成女生混入球队，然而，足球队尚未赢得比赛，却已闹出笑话一箩筐。

　　《巨大》讲的是一个被背叛的母亲和她迫切想要变成男孩的女儿之间的故事。该片故事背景设定在上世纪70年的罗马，意大利社会正处于转折点，影片描绘了一个家庭的生活点滴。佩内洛普饰演克拉拉，是一位母亲，是整个故事的核心。她的女儿执着想变成一个男孩，以及她和另一个身份差距悬殊的女孩之间懵懂的初恋。

　　Since 1977, Sam Klemke has been recording himself on film, the ♯selfieavantlalettre. In that same year, NASA launched the Voyager with the Golden Record. Whereas NASA primarily sketches a positive picture of humanity, Klemke&♯39;s honest self portraits zoom in on the individual. A special film about time, memory and what it means to be human.
　　‘This year will be my year, it has to be!’ Since 1977, Sam Klemke - a pioneer status updater - has looked back on ‘his year’ using video. With the illusion of progress, he hopes to encourage ‘personal growth and improvement’.
　　Documentary maker Matthew Bate met Klemke on Facebook and became acquainted with his video 35 Years Back Through Time, a super-cut in which Klemke counts backwards from 2011 to his ambitious teenage self. Intrigued by this obsessive film project, Bate used Klemke&♯39;s personal archive to create a documentary collage that feels like an intimate road trip, with Klemke providing valuable lessons about time. Along the way, he dismantles the dream of success and happiness. Klemke&♯39;s self-mockery and honesty give the whole thing a light, breezy feel.
　　Through this, Bate interweaves NASA’s Golden Record Project which, just like Klemke’s video project, was launched in 1977. This juxtaposition creates a reflection in which Bate sketches the comprehension of time and self-documenting stories as an inherent human need.