爱丽斯(凯特•温斯莱特 Kate Winslet饰)住在英国伦敦的乡村，而阿曼达(卡梅隆•迪亚兹 Cameron Diaz饰)则是洛杉矶的美国丽人。她们在天南地北的两端，却遇上了同样的问题：在感情上遭受了挫败，令生活灰暗无光。二人在网上聊天，商议在圣诞节到来之前，到对方的环境去生活，交互双方的住所作为度假场地。于是，一场令人兴奋的旅行开始了。爱丽斯来到美国大都市，阿曼达则乘班机前往极具英伦情调的英国乡村。除了新鲜的生活环境，当地男生的魅力更让她们猝不及防。
Jamez Bond is the lead character in Spoof, a frustrated one, since he&♯39;s not able to figure out a way to complete his famous sentence: "My name is...", before getting shot. Yep, this is the news: finally, after 50 years, the gun in the gun-barrel sequence shoots our hero and several other challenges will arise, till the sky-fall... Leatherfaze from the Texas Chainzaw Mazzacre and the Alfraid Hitchcock silhouette, from the TV show will face no lesser complications in trying to turn a chainsaw on and in overcoming common fears, because the Master of Suspence will appear to be surprisingly more fearful than the victims in his movies... But he&♯39;s in good company, since an animated Inspector Clouzeau, from The Pink Panfher&♯39;s saga title sequence, won&♯39;t prove to be brave enough in fighting a pink panther that&♯39;s much wilder than we used to know... Rochy Balboa will show the other characters what it takes to fight your inner enemies, in "Rochy vs Ranbo", but won&♯39;t be prepared for an unexpected ...
吉约姆·卡内、薇儿拉·贝坦丝([破碎之家])、安东尼·巴容([祈祷])主演，爱德华·贝尔容(Edouard Bergeon)执导[以地球的名义](Au nom de la terre，暂译)本周已在马耶讷开机。故事描绘了一个近40年的家庭传奇。1982年，皮埃尔离开美国，回到马耶讷的家中，买了该地区最美丽的农场。多年来皮埃尔和妻子克莱尔经营着农场业务。但是幸福时光下，这对夫妇还必须与债务和疲惫作斗争。
戴安娜，紐約股票交易所的高級培訓生；瑟林姆，阿拉伯大亨；戴安娜遭到綁架到瑟林姆設置于北非沙漠，景致秀麗的隱蔽堡壘中，有趣的是，他們的角色互換了起來，戴安娜并不介意與這個迷人的男子同床共枕，誰知瑟林姆的后宮純粹只是用以裝點門面，他對性關係并沒有戴安娜那么隨便。事實上瑟林姆并非是壞人，他綁架戴安娜，完全是爲了一個自己也不信仰的歷史傳統的堅持，他是個完美主義者，一心要融入西方世界......
1950年代，娜塔莎在苏联一家秘密的研究所内经营食堂，这里汇集了研究所的员工、科学家和外国访客。 娜塔莎的世界很小，她白天在食堂干活，晚上和年轻同事奥利亚一起喝酒，倾诉对浪漫的渴求和对未来的幻想。 在一次聚会之夜，娜塔莎与来访的法国科学家卢克·比格变得亲密起来。 第二天，当克格勃的弗拉基米尔·阿奇波将军对她进行讯问时，她的生活发生了戏剧性的转变。
Sin Sisters
《侩子手》是西班牙写实主义大师贝尔兰加的巅峰之作，以辛辣的笔调描写了一个连苍蝇都不敢打的青年人，为生活所迫竟当上刽子手的故事。影片虽在如今的各大西班牙经典影片榜单上名列前茅，但由于推出时正处于弗朗哥黑暗时期，长时间没有得到人们的认可。
Desdemona lives on an isolated island with her strange family: her father Mario, her stepmother Dulcinea and her mentally challenged sister Paulova. As the only inhabitants on the island loneliness and desolation engulf all members of her family. Desdemona tries to ward off her boredom by taking long walks along the beach or engaging in acts of self-gratification. She often tries to seduce her own father Mario to engage in acts of a sexual nature. Their daily routine is interrupted by the arrival (by boat) of a robust male stranger who brings friction into Desdemona&♯39;s family.
RED RINGS OF FEAR (ENIGMA ROSSO), 1978, 85 min. Director Alberto Negrin wraps up the SOLANGE trilogy in this giallo where more sexually precocious schoolgirls bite the dust. Fabio Testi is the police inspector on the murderer’s trail, and Christine Kaufmann is his girlfriend. Chock-full of red herrings, perverse twists, sleazy situations, outrageous dialogue and an out-of-left-field climax, punctuated by Riz Ortolani’s groovy score.
Since 1977, Sam Klemke has been recording himself on film, the ♯selfieavantlalettre. In that same year, NASA launched the Voyager with the Golden Record. Whereas NASA primarily sketches a positive picture of humanity, Klemke&♯39;s honest self portraits zoom in on the individual. A special film about time, memory and what it means to be human. ‘This year will be my year, it has to be!’ Since 1977, Sam Klemke - a pioneer status updater - has looked back on ‘his year’ using video. With the illusion of progress, he hopes to encourage ‘personal growth and improvement’. Documentary maker Matthew Bate met Klemke on Facebook and became acquainted with his video 35 Years Back Through Time, a super-cut in which Klemke counts backwards from 2011 to his ambitious teenage self. Intrigued by this obsessive film project, Bate used Klemke&♯39;s personal archive to create a documentary collage that feels like an intimate road trip, with Klemke providing valuable lessons about time. Along the way, he dismantles the dream of success and happiness. Klemke&♯39;s self-mockery and honesty give the whole thing a light, breezy feel. Through this, Bate interweaves NASA’s Golden Record Project which, just like Klemke’s video project, was launched in 1977. This juxtaposition creates a reflection in which Bate sketches the comprehension of time and self-documenting stories as an inherent human need.
The movie focuses on existing malpractices in country&♯39;s education system, the whole concept of buying your way through education, jobs and earnings. Even with an evolving education system, the country faces scams like SSC and HSC paper leaks, m.ysgou.cc CBSE re-examination, Vyaapam, etc. The movie tries to shift the attention of people to understand the vulnerability of hardworking and gifted students who get left out.
故事发生在90年代，Sam因为同性恋身份而在学校被同学霸凌，她结识了性感迷人的女闺蜜，女闺蜜和她发展出了亲密关系，但却拒绝她的亲吻，而且只要Sam一回亲自己立马制止，很快女同学有了男朋友，Sam很生气，再一次派对中，她被风骚的大姐姐当成了男孩子差点来了场野战，而另一个可爱的女孩Nick经过，因为与Nick的结识，Sam打开了姬世界的大门... 并也逐渐开始认同自己。@橘里橘气译制组
43岁的帕姬·苏是一个成功的事业女性，但她的婚姻生活却很失败。她在参加25周年的中学同学会上，突然晕倒，醒来后，发现自己置身于1960年的中学礼堂之中……
