特种神枪手

　　After the murder of her two Scandinavian friends in Morocco, A Russian blogger decides to do her own justice.

　　在远离喧嚣城市的海港小镇波乐里，生活着几名无忧无虑当然也倍感无聊的男人：石井（赤井英和 饰）、津田（竹中直人 饰）、富田（冢本晋也 饰）、中江（温水洋一 饰）、森下（津田宽治 饰）以及松本（浅野忠信 饰）。他们是当地消防队的队员，无奈此地已18年之久未发生火灾，所以石井等人除了每天的例行练习外百无聊赖，竟隐隐期盼火灾的发生。这一天，美丽女子日比野桃子（铃木京香 饰）的到来打破小镇的宁静，更让一众苦命单身汉兴奋不已。在这些人中间，属石井表现最为积极，羞涩腼腆的他用各种各样笨拙的方法引起他的注意，而消防队的好朋友们虽然对桃子也有好感，但还是千方百计成全着石井的爱恋……
　　成年人充满青涩的恋之歌，在这座海港小镇悠然飘扬……

　　When the single middle-aged Luis travels from Barcelona to bury the remains of his mother in the vault of his family in Segovia, he is lodged by his aunt Pilar in her old house where he spent his summer of 1936 with her. He meets his cousin Angelica, who was his first love, living on the first floor with her husband and daughter, and he recalls his childhood in times of the Spanish Civil War entwined with the present.

Baby Let’s Do It

　　【尋寶智多星】（Treasure of Matecumbe）是迪士尼在１９７６年所推出上映的一部電影，是部走冒險路線的作品。
　　【尋寶智多星】的劇情故事改編自 Robert Lewis Taylor 的小說《A Journey to Matecumbe》，故事背景是發生在經歷南北戰爭之後的美國肯塔西州，少年 Davie Burnie 意外得知了他家族代代相傳的一大秘密，那就是一張通往神秘 Matecumbe 寶藏的藏寶圖，在佛羅里達蠻荒之處，深埋著這個失落許久的寶藏，於是少年 Davie 就踏上了他的尋寶之途。他與四位同伴結伴同行，他們分別是 Jim 、Lauriette Paxton 、Thad 以及 Ewing T. Snodgrass 博士。然而 Davie 父親生前的死對頭 Spangler 也虎視眈眈，也伺機想奪得 Matecumbe 寶藏，而且還有颶風、印地安人、沼澤種種威脅等待著他們，他們必須一一化險為夷，才能找到神秘的寶藏。
　　本片是由 Vincent McEveety 執導，片中飾演少年 Davie 的是 Johnny Doran ；飾演 Jim 的則是 Robert Foxworth ；飾演 Lauriette Paxton 的則是 Joan Hackett ；飾演 Ewing T. Snodgrass 博士的則是還曾經演過迪士尼電影【黑鬍子】等片的 Peter Ustinov ；至於和 Davie 生死與共的少年 Thad 則由 Billy Attmore 擔任；大反派 Spangler 則是由 Vic Morrow 擔任，片中其他演員還包括 Jane Wyatt 、Dick Van Patten 、Virginia Vincent …等等。至於本片配樂則由 Buddy Baker 負責，歌曲“Matecumbe”則是由 Shane Tatum 所作。

　　一位年轻的功夫高手准备在加勒比海的岛屿上展开巡回赛，他将在那里遇到十年前杀害他父亲的一个恐怖分子。

　　【收录话】
　　「もののけの息」主演：喜多岛舞 监督：三宅隆太
　　「御祓いは效かない」主演：橘実里、小林宏史 监督：佐々木浩久
　　「毛浪」主演：辻美里、井上优里菜 监督：荒川荣二
　　「残业1」主演：いとうまい子、堀江庆 监督：平野俊一
　　「残业2」主演：いとうまい子、堀江庆 监督：平野俊一
　　「黑い男たち」主演：石坂良磨、坂寄卓士 监督：豊岛圭介
　　「幽灵屋敷と呼ばれる家」主演：堀北真希 监督：佐々木浩久
　　「教えて」主演：佐藤康惠、末吉宏司 监督：豊岛圭介

　　Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?
　　The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)
　　From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.

　　昭和初年，私家偵探魚塚被一老婦人委託調查被綁架女兒的下落。偵探追查下去，卻發現事件和一部消失了的電影《永遠的謎》有關，這部電影比號稱日本最早起用女性演員，歸山敎正的《生之光輝》更早有女演員表演，但被警察禁映而消失。鏡頭跟著主角深入淺草的遊樂區，探索默片年代的戲院，解說的辯士、現場配樂的樂隊、放映前的雜耍表演，當年的電影是很「綜合」的娛樂…… 完全和電影業無關的新人導演林海象一鳴驚人的處女作，比《星光夢裏人》早近三十年採用仿默片的拍法，全部黑白攝影，人物對白全部用字幕卡代替，聲軌只有配樂、效果音等，引領觀眾暢遊世紀初的夢工場。

　　在中苏边境跑生意的俄罗斯人谢尔盖不但迷了路，自己的卡车还陷到了泥坑里。他茫然地爬上山头以求救援，却看见了蒙古人天葬的尸体，惊愕的奔跑中遇到了蒙古牧民贡巴。淳朴热情的贡巴把谢尔盖请到家中杀羊摆酒进行款待，并帮他解决了卡车的问题。 贡巴、妻子和他们的三个孩子象祖先一样过着传统的游牧生活，这种温馨自然的家庭生活让谢尔盖回想起自己远在故乡的亲人。不久，谢尔盖在城里的歌厅酒后闹事被警察带走，贡巴又托亲戚把他接了出来。最后，这两个民族不同、语言不通、生活习惯迥异的男人成了要好的朋友。 而贡巴也有自己的忧虑，他的妻子已生育了三个孩子，医生告诫她不要再生孩子，这件事愁坏了贡巴，为此他已经好几个月没能和妻子同房。一天晚上，城里长大的妻子告诉贡巴现在有种叫避孕套的东西可以解决这个问题，并叮嘱他进城买彩电时捎回几个。 在城里的药店里，贡巴感到格外尴尬，最终只好笑嘻嘻地走开。回家途中，贡巴在享用过城里的罐头和饮料后梦到了自己的祖先——成吉思汗……

　　A gravedigger prowls the city in search of a female to bear him a son.
　　
　　José Mojica Marins是巴西最著名的CULT恐怖片电影大师，这是其第一部长片作品，也是其著名的Ze do Caixao系列的第一集，开创了巴西低成本独立电影的新局面。