故事讲述的是一名高中女生想要在圣诞节得到自己心仪的礼物,而她的父母突然改变主意,由原先的不答应变成无条件答应甚至主动给她以前想要的东西。
佐藤良人(片冈直人 饰)的父亲在早年间去世了,留下良人和母亲安江(凉 饰)过着相依为命的生活。安江靠着经营烤肉店根岸苑养活良人,这家店也是她的丈夫给她留下的唯一一样财产。安江的烹饪手艺很好,根岸苑被她经营得井井有条,门庭若市,对于安江来说,能够一边制作美味的料理,一边看着儿子健康的长大,是她最快乐的事情。 然而,一切都在人气美食评论家古山(松尾谕 饰)对根岸苑发起了毫无根据的攻击之后改变了,店里的人气逐渐低迷,而良人也希望一直忙碌的母亲能够将更多的心思放在自己身上,于是,不久之后,根岸苑宣布闭店。
Schultze gets the blues里除了敦厚的Schultze和他的手风琴,还有Keramikzwerger(瓷矮人),真的是很可爱的一部电影。弥漫着一股慢悠悠的田园气息,不慌不忙,对于退休老人来说,他拥有“世界所有的时间”(die Zeit aller Welt)。虽然总是一片灰蒙蒙的天空,错落有致的音乐贯穿始终,观众尽管看不见,却能感受到一角蓝天。外表虽然如德国电影一贯的冷静,却掩盖不了蠢蠢的热情。
一柳家の当主・賢蔵と久保銀蔵の姪・克子の婚礼の夜、二人の寝所である離れから、突然琴の音が鳴り響いた。離れに駆けつけた一同が目にしたものは、真っ赤な血の海に折り重なって倒れた賢蔵と克子の姿だった。銀造の招きで婚礼に出席していた金田一耕助は調査に乗り出すが、離れは完全なる密室で犯人の逃走した形跡も発見されなかった。そして、部屋の金屏風には血塗られた三本の指跡が残され、庭には一本の日本刀が突き立てられていた…。 「横溝正史シリーズ」の傑作テレビドラマ。古谷一行演じる金田一耕助が、新たな難事件に挑む。
Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"? The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
Following the death of her father, a 17-year-old girl is sent to live with her estranged family and finds comfort in a questionable friendship with a self-destructive neighbor, leading both on a startling path to self discovery.
Buster Keaton&♯39;s final silent feature, as well as the final film in which MGM allowed him any creative control.
乔治爵士(蒂姆·皮戈特-史密斯 Tim Pigott-Smith 饰)和海蒂(妮可莱特·谢里丹 Nicollette Sheridan 饰)决定举办一场热闹的乡村游园会,为了将游园会的气氛推向高潮,他们决定设置一场谋杀游戏。知名犯罪小说家阿瑞登(珍·斯塔普莱顿 Jean Stapleton 饰)同意为这场游戏提供一些好点子,她决定将案件的现场设置在乔治爵士所居住的纳塞庄园中,并且将案件的受害者一角给了年仅14岁的马琳(桑德拉·迪金森 Sandra Dickinson 饰)。 然而,就在一切都按照计划井然有序的进行时,赫邱勒(彼德·乌斯蒂诺夫 Peter Ustinov 饰)却接到了阿瑞登夫人的来电,他是她最信赖的朋友。在电话中,阿瑞登夫人坦诚,她所设置的谋杀游戏,有可能演变成一场真正的悲剧。
一次偶然中,雷吉纳(桑迪·牛顿 Thandie Newton 饰)邂逅了名为查理(斯蒂芬·迪兰 Stephen Dillane 饰)的男子,两人很快就坠入了爱河,并且决定携手步入婚姻的殿堂。可新婚的甜蜜劲过去之后,雷吉纳发现查理是一个背负了许多秘密的男人,这个整天躺在自己身边的男人,自己或许对他毫不了解。于是,雷吉纳决定去旅行散心,顺便思考一下自己的这段草率的婚姻。 可是,当雷吉纳返回巴黎住所后,等待着她的并非查理,而是空空如也的房间,以及自称是查理同伴的三个陌生人。三人告诉雷吉纳,查理手上拿着本该和他们平分的一大笔钱,如今查理失踪了,身为他的妻子,雷吉纳有责任供出这笔钱的下落。
阿寅听信了算卦人的指点,去九州碰运气。昔日矿山兴旺时热闹的剧院,现在门可罗雀,一片荒凉。他去寻找刚刚故去的剧团团长中村的家,遇上了他的女儿美保。美保认出来人是与父亲一起喝酒的阿寅,当晚,阿寅在她工作的小店留宿。 阿寅离开小镇,信马由缰,四处游荡,直到回到阔别已久的家。在这期间,家里接到几次美保的电话,她离开家来找阿寅,而阿寅人在旅途,无助之中得到了画广告谋生的小伙子的帮助,带生病的美保回他的住处休养。在阿寅家人的介绍下,美保到上海轩食店帮工,送外卖,因为她漂亮而勤快,吸引了许多客人光顾小店,生意红火起来。原先因为父亲去世孤苦伶仃无人照顾的她,在阿寅家里重新找到了家的温暖,也找到了爱的归宿。
1986年德國柏林,英民是一名經濟學家在柏林專修自己的學業,發覺祖國的混亂狀況,為了自己和家庭的未來發展決定投奔北韓,和北韓的接觸當中發現只是利用自己而已,因此英民決定不再跟北韓接觸,也不再考慮投奔北韓,在克本哈根機場通往東柏林的移民檢查站上,英民的老婆和小女兒被北韓情報員擄獲,並且北韓要求英民做南韓的間諜,而西德高層同時也要求英民做北韓的間諜,一場緊張又刺激的諜報戰就此展開……
19岁的少女寺泽弘子(渡边典子 饰)是一家婚姻介绍所的女秘书,某天所里接到一通电话,对方是关根集团董事长的遗孀恭子(长山蓝子 饰),她希望为自己的儿子昌和(渡边谦 饰)找到一位如意新娘。当恭子得知弘子姓名时,竟不假思索决定弘子为相亲的对象。 会面之日,弘子得知,恭子只希望她假扮昌和的新娘十天,以代替因车祸骨折的真正新娘。看在巨额报酬的份上,弘子欣然同意,留在关根家位于山中的别墅内进行各种礼仪的训练。但随着事态的发展,她意识到关根家的背后似乎隐藏着更为黑暗的秘密…… 根据赤川次郎同名小说改编。
詹姆斯·梅,英国著名主持人。从阳光明媚的西西里出发,北上到冰冷的北方,游览意大利的风景与名胜,从英国人的视角观察不同的历史、文化、工业与美食。