911
3.0

初学者的终极指南

导演:
Jonathan Sobol
主演:
J·K·西蒙斯,丹尼斯·霍珀,翠西亚·希弗,斯科特·凯恩
别名:
未知
3.0
911人评分
英语
语言
2010
上映时间
美国
地区
简介:

  三个兄弟在他们的赌徒老爹过世之后,处理麻烦遗产时的有趣故事。这部喜剧喧闹,迷人,非常有趣。

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主演:伊莎贝尔·于佩尔,让-弗朗索瓦·巴尔梅,克里斯托弗·马拉沃伊,让·雅南,卢卡斯·贝尔沃克斯,克里斯蒂娜·米纳佐利,让-克洛德·布约,伊夫·费尔赫芬,玛丽·莫吉,弗朗索瓦·麦斯特,托马斯·夏布洛尔,亨利·埃托,路易多·德·朗克桑,勒内·马尔雅克,多米尼克·扎尔迪,雅克·迪南,弗朗索瓦·佩里埃,Florent Gibassier,Jean-Louis Maury,Sabeline Campo,Phillippe Abitol
简介:

  一次出诊中,包法利医生(让-弗朗索瓦·巴尔梅 Jean-François Balmer)和年轻的女孩艾玛(伊莎贝尔·于佩尔 Isabelle Huppert 饰)相遇了,艾玛的纯情和美丽让医生迅速坠入了情网,两人随即结婚。婚后的生活并不如艾玛所幻想的那样充满了乐趣和激情,是帅气的雷翁(卢卡斯·贝尔沃克斯 Lucas Belvaux 饰)的出现让艾玛重新快乐了起来,但他的离开带来的则是更深的痛苦和绝望。富豪鲁道夫(克里斯托弗·马拉沃伊 Christophe Malavoy 饰)贪恋艾玛的美色,给予了她诸多的空洞承诺,而为了配得上鲁道夫,艾玛不惜赊账购入首饰与华服。在约定好私奔的那一天,鲁道夫失约了,大受打击的艾玛一病不起。
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主演:萨姆·德·格拉斯,Francelia Billington,埃里克·冯·施特罗海姆,Fay Holderness,Richard Cumming
简介:

  Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?
  The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)
  From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.

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