忽如其来的神秘灾难使全球秩序陷入混乱，一名政治家崛起为联合国的首脑，但他能引领人们走向希望吗？还是令世界走向深渊？
前人类和普通人类的人种战争已经到了白热化的阶段，野野村组长去世后，吉川（北村一辉 饰）、当麻纱绫（户田惠梨香 饰）和濑文焚流（加濑亮 饰）等人聚在未详总部，苦苦思索J教授的真身。谁知就在当麻刚刚弄清真相的同时，警察医院内的成年和儿童SPEC持有者遭到残忍屠戮。愤怒的当麻无法抑制体内被封印的SPEC，她狂乱暴走，继而现身御前会议。在犹大、世界（向井理 饰）、润（大岛优子 饰）的见证下，法蒂玛第三预言实现了。恐怖刺眼的蘑菇云在上空升起，成千上万的八尺乌遮天蔽日，被欲望所支配与荼毒的世界迎来了毁灭时刻。 在命运的交叉点，当麻和焚流能否阻止世界的灭亡？
这是一出10个爱情故事串成的喜剧杂烩： 失去母亲的小男孩终日郁郁寡欢，继父不知该如何安慰。当他得知继子喜欢上学校里最美的女孩，便热烈地鼓励儿子去追。小男孩为了赢得小女孩的关注，废寝忘食地练习架子鼓，只为了在圣诞节的晚会上能与她同台演出。勇敢的他，甚至为了最后的一记道别潇 洒地突破机场的安检区。 两个孩子的母亲面对了婚姻危机。丈夫感情出轨，把项链送给了别的女人，给她的，则仅是一张她热爱的女歌手的CD。她找了借口仓皇躲入卧室，在歌声中隐忍啜泣。转个身，又夸张地大笑着，迎向娇女爱子欢喜的面容。 丈夫最终幡然醒悟。 …… 如此的小故事共有十出，温暖你我的心。
When geeky Ethan discovers three fellow students scamming the examination system, he blackmails them to win over the college&♯39;s most popular girl.
Third battle of Panipat which took place on 14 January 1761.Between Marathas and King of Afghanistan, Ahmad Shah Abdali.
柯林尼（弗兰科·尼罗 Franco Nero 饰）是一位勤勤恳恳工作了几十年的老打工人，某一日，竟然向警方投案自首，声称自己杀害了一位名叫迈耶（曼弗莱德·扎帕卡 Manfred Zapatka 饰）的男子。莱恩（埃利亚斯·穆巴里克 Elyas M&♯39;Barek 饰）是负责替柯林尼辩护的律师，这是初出茅庐的他承接的第一个案子。 实际上，迈耶是莱恩的老熟人了，曾经，莱恩受过前者的诸多照顾。与此同时，莱恩的对手理查德（海纳·劳特尔巴赫 Heiner Lauterbach 饰）是一位经验非常丰富的法庭老手。在寻找真相的过程中，柯林尼一直都保持着沉默，这让莱恩的工作根本就无处施展。然而，随着调查的推进，莱恩之间发现，自己要揭开，是笼罩在德国司法史上的一块巨大的黑幕。
故事设定在二战期间的巴黎，此时巴黎已被纳粹德国占领，霍夫曼先生因为自己的犹太人身份，不得不让家人先走并将自己的珠宝店托付给自己的下属梅西埃。但是人算不如天算，就在梅西埃与妻子布朗什入主珠宝店没多久，霍夫曼先生再次出现在珠宝店里。由此，三个人的命运纠缠在了一起。
彼得·杰克逊早期作品，这部纪录片以翔实的考察，细致地讲述了一段不为人知的电影史传奇，展现了一位默默无闻的新西兰人在20世纪初期为电影作出的革命性贡献。
前陆军中佐•关东军参谋一岐正（仲代达矢 饰）战后回到祖国，经老友大门一三（山形勋 饰）引荐进入近畿商事。是时日本政府正计划巨资从国外购买主力战机，包括近畿商事在内共有四家企业竞标。防卫部长川又（丹波哲郎 饰）也是一岐的战友，他和一岐共同考察了近畿主推的Lockheed公司F-104战机。看似优势站在近畿一方，然东京商事对政府要员展开了一连串的银弹攻击。得知内幕的一岐通过非正常手段爆出对方丑闻，将东京商事一举击败…… 根据山崎丰子描写日本政界真实事件的同名小说改编。
在一场兄弟会和妇女联谊会联合举办的派对上，新人杰夫•雷德（Peter Barton彼得•巴顿 饰）、赛斯（Vincent Van Patten 文森特•范•派顿 饰）与妇女会的马蒂（Linda Blair 琳达•布雷尔 饰）一伙相约前往盖斯庄园过夜，以此作为他们的入会庆典。 当地传说，12年前盖斯庄园的主人狂性大发，先后杀死妻子及4个可爱的孩子，随后上吊自杀；已有说法称，盖斯的小儿子安德鲁在那场惨剧中生还，并藏身庄园某处。孟浪的青年们无视传说，大胆走入这片禁忌的园地，迎接他们的将是恶梦一般的恐怖之夜……
Set in an unspecified French village, the locals are shocked when a group of girls skinny dipping in the nearby lake (all very tastefully done I hasten to add) are killed by a group of zombiefied Nazi soldiers, that spring up out of the waters and drag them down to their demise. A couple of detectives are brought in to try and solve the mysterious murders, only to end up as the zombies next victims. It turns out that during the war, the French resistance ambushed and killed a squad of German soldiers and dumped the bodies into the nearby lake, but failed to take notice of any of the local superstitions (never a wise move). Although, seeing as this film appears to be set in the early 80&♯39;s, why it&♯39;s taken so long for them to emerge and start killing people is a bit of a mystery, but there you go. Not-with-standing, the villagers quickly organise a lynch mob to take down the zombie menace, only to end up being decimated by the undead soldiers, who&♯39;s &♯39;convincing&♯39; zombie make-up basically consists of green paint, which doesn&♯39;t even cover the whole of the actors faces and keeps washing off in the lake. There&♯39;s also a bizarre sub plot about one of the zombies visiting his former daughter, who strangely still looks all of 12 despite the fact she should be in her 40&♯39;s if she was born near the end of the war, but then since when did logic ever come into these films? Such as why do their uniforms still look almost new despite being underwater for 40 years, or how come the skinny dipping girls are only knee deep in the water when viewed from the lakeside, yet appear to be swimming in 12 feet of it from the underwater shots? Bad acting, naff zombie make-up (the aforementioned green face paint), painfully obvious underwater shots filmed in a swimming pool, not to mention the plot inconsistencies bigger than the aforementioned lake itself. Low budget doesn&♯39;t even begin to describe this film, which quite unbelievably was directed by respected Eurohorror director Jean Rollin, albeit under the pseudo name J A Laser. That&♯39;s not to say the film isn&♯39;t without merit. I bust a gut laughing at the thoroughly ridiculous scenes of the zombies attacking the naked young girls, and the equally ridiculous slapstick battle with the angry villagers. Utterly hilarious, grab the six pack and the popcorn and have a blast!
Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter. Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...
