芒斯特一家

　　故事讲述在1950年代的伦敦，一个孤注一掷的好莱坞制片人要把一出广受欢迎的西区戏剧改编成电影，但此时发生了剧组成员被谋杀事件。因此，一个厌世的探长（山姆·洛克威尔 饰）和一个过分热情的新手警察（西尔莎·罗南 饰）游走在伦敦迷人的戏剧圈和肮脏的地下世界，陷入了令人费解的侦探故事中。

　　在名为溪谷的偏远所在，一起亲母杀子案震惊全国。当事人的隔壁住着尾崎俊介（大西信满 饰）和加奈子（真木阳子 饰）这对夫妇，任凭门外喧嚣，他们颓废待在自己的小天地中。未过多久，尾崎涉嫌与女嫌疑人通奸并唆使杀人被警方带走问讯，而加奈子正是事件的举报者。周刊记者渡边一彦（大森南朋 饰）受命跟进此案，通过多方调查，他发现15年前高中时代的尾崎是一个前途光明的棒球明星，但因某起事件而被迫退学。他持续深入，了解到当事人许多不为人知的过去和真相，并渐渐觉察到尾崎和加奈子之间那极其微妙的联系。爱与恨纠缠成一团，剪不断，理还乱，终究不明白这其中是怎样的情感……
　　本片根据吉田修一的同名原作改编，并荣获2013年日本电影旬报十佳影片第八名。

　　When geeky Ethan discovers three fellow students scamming the examination system, he blackmails them to win over the college&♯39;s most popular girl.

　　讲述了新一代火辣美女天使克里斯汀·斯图尔特、娜奥米·斯科特、埃拉·巴林斯卡霸气组队强势打击危险势力的故事。本片由好莱坞实力派导演及演员伊丽莎白·班克斯执导，高空跳伞、狂野飙车、拳脚肉搏、激燃枪战等惊险动作场面接连不断，肾上腺素飙升。三大天使特工技能高超，大玩变身诱惑上演温柔杀机。

　　在一个仅有215名居民的封闭小镇Irénée-les-Neiges里，其中一位居民Simon Dubé死于意外车祸，这起悲剧也使得Dubé、镇长与其他镇民生活蒙上阴影。在这个充满哀悼与沉重的时候，迷雾中开始有陌生人出现在小镇，他们究竟是谁?

　　在美国学生组织的一起关于反战和争取民主的学生革命运动中，马克（马克•弗雷切特 Mark Frechette 饰）和同学、老师一起被当局逮捕，在愈演愈烈的双方对抗中，马克打死了一名警察，当局即刻展开对他的追捕，马克在机场偷盗了一辆小型飞机后开始了逃亡之旅。在商业公司当秘书的达莉亚（达莉娅•斯普莱林 Daria Halprin 饰）正驱车前往菲尼克斯，途径沙漠的时候恰巧被马克发现，他从空中向她扔下一件红色的衣服。两人结伴同行，达莉亚答应开车带马克去找汽油，他们于路无话不谈，马克告诉她自己的那些革命经历，在一处名为“扎布里斯基角”的荒地里他们疯狂的亲昵。飞机加满油后马克将飞机画上奇怪又明艳的图案，并与达莉亚愉快地分手。达莉亚继续开车前往菲尼克斯，却收到了马克被警方击毙的消息……

　　冬のある日狂四郎は、夫の仇討ちと称する武家の妻、檜垣ぬいに手を貸して一人の浪人を斬った。浪人は今はの際“助太刀すればおぬしの恥"という謎の言葉を残して死んでいった。ぬいは代償にその白い身体を自ら狂四郎にあたえた。翌日盃を傾ける狂四郎のもとに役人に追われる伝吉と名乗る男が助けを求めにきた。だが狂四郎は自分に関りのないことと冷く突ぱねた。捕えられた伝吉は“鳴海屋"と口走って去っていった。そんなある日狂四郎のもとに鳴海屋が訪ねてきた。豪家の子女という小笹に色の道を教えて欲しいというのだ。狂四郎は、ただちに小笹が、生娘でない事を悟り、化けの皮をひんむいた。果して小笹の膚にはくまなく刺青がされてあった。問いつめる狂四郎の前に鳴海屋はことのすべてを白状した。鳴海屋は藤堂家の江戸家老に威かされ、幕府に献上すべき海賊の財宝を横領していた。そしてさらに将監は、財宝の秘密を握る海賊の末裔を一人残らず抹殺しようとしていた。その探索役がぬいであった。この冷酷さを恐れた鳴海屋は、将藍と手を切りたいと狂四郎に助けを求めた。そして鳴海屋は、鳥羽水車の総帥の娘で、今は将藍にねらわれるおりょうの身の上も話して聞かせた。狂四郎はおりょうを南の国へ逃がしてやった。さらに将藍の魔手は海賊の末裔の一人で、今は守田菊弥と名乗る人気役者をも殺し、鳴海屋で働くその娘かよをも狙っていた。狂四郎は、まだ世間のきたなさも知らぬ清純な少女までも狙う将藍に激しい憎しみを感じた。狂四郎は将藍が参列する菩提寺の法要の席に乗りこみ、将藍の罪状を素っ破抜いた。狂四郎は必死に縋り寄るぬいをも斬り捨て、墓場と化した菩提寺を去っていった。

　　01-禁洞Forbidden Caves
　　02-狮身人面像之谜Mysteries of the Sphinx

　　年届五十的广告代理商营业局部长佐伯雅行（渡边谦 饰）事业有成，与妻子枝实子（樋口可南子 饰）生活幸福，多年来伉俪情深。他们的独生女梨惠（吹石一惠 饰）也即将步入婚姻的殿堂。然而如此美满幸福的生活，却毫无征兆地被突如其来的疾病所击碎，雅行被诊断出患上了早发性阿兹海默症。
　　随之而来的健忘、失眠、头痛折磨着他，欺骗、背叛、嘲笑击垮着他，身处绝望边缘的雅行竭尽全力地努力与病魔斗争着，然而逐渐失去的记忆却让往日熟识的人、事，变得越来越陌生遥远。枝实子决定陪丈夫一起和病痛奋斗下去。面对不断缺失的记忆，雅行似乎连妻子也不再认得。枝实子平静的守着他，说着：“有我在，我永远都会陪在你身边。我会跟你一起活下去。”

　　This film is based on the story of Marco, who has an identity disorder as a consequence of Colombia’s armed conflict, which forced him to change his identity three times. In his other house, he finds objects that take him to a world where his memories, fears and the ghosts of those men that he once was coexist. Marco has to face a part of the story that he wants to forget: he was part of the communist guerrilla. That truth will be revealed and Marco will lose his family. The film tells a real story while including elements of fiction, theatre and performance.

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.
　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?
　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.
　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.
　　On one hand it is a slightly 80&♯39;s depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.
　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.
　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you&♯39;re getting there. See it if you can find it.

　　動物的生命本來無分價值，但待遇可不盡相同。在獸醫診所裡，生命變得有價，而衡量動物生命價值的，是人。在人的選擇裡，也在人的計算裡。《告訴世界我來過》把不同動物的命運交織着，或許動物的命運，並不是來得如此純粹與隨機，所謂的生命平等，就只體現在不間斷的心跳聲之中。 24小時經營的獸醫診所是一個窗口，凝視著動物的生、離、死、別，主人的希望與絕望，但也似乎窺看著人類的自私與無情…